American Arts Quarterly, Winter 2016
The Artist’s Magazine, November, 2015
The Wellesley Townsman, Nov. 17, 2009
American Arts Quarterly, Fall 2007
American Art Collector, November 2006
Other Publications
Univers des Arts, “du côté de chez Olga…” by C. Bailleul, May 2005
Art News, “Invitational 2004,” review by Maria Schneider Enriquez, May 2004
Dernières Nouvelles d´Alsace, “Allemands et Français pour une mâme exposition”, October 7, 2004
Boston Globe, “Cups Runneth Over” by Cate McQuaid, January 2, 2004
Boston Herald, “the Edge Picks” by Joanne Silver, December 12, 2003
“Sept plasticiens à l´usine”, May 11, 1997
“Olga Antonova à l´Espace Sofitel” by S.H., April 24, 1997
Dernieres Nouvelles d’Alsace, “Sept plasticiens a l’usine,” 11 May, 1997
Gissener Allgemeine, “Teekannen & Wasserkessel”, April 25, 1996
Dernières Nouvelles d’Alsace, “Objets à Usage Artistique” by Julie Carpentier, January 5, 1996
Frankfurter Rundschau, “Kessel und Kannen” by D. Baer-Bogenschütz, September , 1995
Provincetown Magazine, “Portrait of an artist: Olga Antonova” by John P. Schutz, August 4, 1994
The Villager, by Sascha Brodsky, December 1, 1993
Novoye Russkoye Slovo, by Natalia Kozlova (in Russian), Dec, 1993
Dernières Nouvelles d’Alsace, “Portes ouvertes sur les ateliers d’artistes” by Corinne Ibram, June 28, 1992
Art Scene, Los Angeles, “Continuing & Up Coming,” Editorial, July 1991
Boston Globe, “A Summer Smorgasbord of Styles” by Nancy Stapen, July 11, 1991
Art Scene, Los Angeles, “Continuing & Up Coming,” Editorial, November 1998
Boston Globe, “Subjects Captured in Network of Supple Lines” by Christine Temin, March 12, 1987
Bay Windows, “Pillows & Paterns,” March 12, 1987
Newton Graphic, “Women’s Art on View” by Meredith Fife Day, February 12, 1987
North End Tribune, 1986
Portsmouth Herald, “Two Diverse Styles of Still Life Adorn Walls of Gallery” by Susan Bailey, November 17, 1985
Obozrenie, “A Rose is a Rose is a Garlic” by Paul Stephen , 1985
Boston Phoenix, “Critic’s Tip” by Robert Taylor, 1984
Series of Monotypes published by Martha Tepper Contemporary Fine Arts and Fox Graphics, printed at Fox Graphics, Merrimac, MA.